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Nathaniel
or a hundred years, the people of Prairie Bend have whispered Nathaniel's name in wonder and fear. Some say he is a folktale, created to frighten children on cold winter nights. Some swear he is a terrifying spirit retumed to avenge the past. But soon . . . very soon . . . some will learn that Nathaniel lives still--that he is darkly, horrifyingly real. Nathaniel--he is the voice that calls to young Michael Hall across the prairie night . . . the voice that draws the boy into the shadowy depths of the old, crumbling, forbidden barn . . . that chanting, compelling voice he will follow faithfully beyond the edge of terror.
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Punish the Sinners
Italy 1252. Inquisition. Accusation. Fear. Torture. The guilty and the innocent dying for sins real and imagined in the flames of the burning stake. Neilsville, 1978. Peter Blasam has come to this sleepy desert town to teach its youth, and finds a mystery of mounting horror. Something is happening to the young girls of St. Francis Xavier High School -- something evil. In bloodlet and terror a suicide contagion has swept the two... while a dark order of its holy men enacts a secret medieval ritual. Is hysteria manipulating these innocent children into violent self-destruction? Or has supernatural force, a thirteenth-century madness, returned to... Punish The Sinners.
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The Manhattan Hunt Club
Falsely convicted of a brutal crime, college student Jeff Converse sees his future vanishing before his eyes. But someone has other plans for Jeff, in a far deadlier place than any penitentiary. Jeff finds himself beneath the teeming streets of Manhattan, in a hidden landscape of twisting tunnels and forgotten subterranean chambers. Here, an invisible population of the homeless, the desperate, and the mad has carved out its own shadow society. But they are not alone. For someone has made this forsaken civilization a private killing ground. Now, with no weapon but his wits, and an unimaginable threat lurking around every dark corner, Jeff must somehow move heaven and earth to escape from a living hell. . . .