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But You Don't Look Like A Muslim
What does it mean to be Muslim in India?What does it mean to look like one's religion?Does one's faith determine how one is perceived?Is there a secular ideal one is supposed to live up to?Can people of different faiths have a shared culture, a shared identity?India has, since time immemorial, been plural, multi-cultural, multi-ethnic and multi-lingual, where various streams have fed into and strengthened each other, and where dissimilarities have always been a cause for rejoicing rather than strife. These writings, on and about being Muslim in India, by Rakhshanda Jalil - one of the country's foremost literary historians and cultural commentators - excavate memories, interrogate dilemmas, and rediscover and celebrate a nation and its syncretic culture. But You Don't Look Like a Muslim is a book that every thinking Indian must read.
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Kaifiyat:Verses On Love And Women
About the Author Kaifi Azmi (Author) KAIFI AZMI (1919-2002) was one of the most prominent Urdu poets and lyricists of the twentieth century. An ardent crusader for justice as well as a writer of tender lyrics and rousing anthems, he was the quintessential activist-poet. His three major poetry collections are entitled Jhankar (1943), Akhir-e-Shab (1947) and Awara Sajde (1973). Rakhshanda Jalil (Translator) RAKHSHANDA JALIL is a writer, translator and literary historian. Her work on the Progressive Writers' Movement is considered seminal; she has written A Rebel and Her Cause: The Life and Work of Dr Rashid Jahan, Shahryar: A Life in Poetry, among others. She runs Hindustani Awaaz, devoted to the popularization of Hindi-Urdu language and literary culture.
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The Temple And The Mosque
Premchand's fiction has been translated before, but seldom did these translations reveal the many facets of his literary genius, nor did they show the wide variety of 'types' he was capable of portraying. For, Premchand wrote not only about villains and martyrs, poverty, rigid social order or caste disparities. His world, seemingly black and white though it is, is also lit by flashes of wit and humour, gentle irony and a persistent social commentary. While Premchand's favourite characters – bhang-drinking pandits, miserable sweepers and arrogant Thakurs – do feature in this collection, this is perhaps the first time that the English reader will be introduced to his 'other' world – a world of unbelievably good men, lovesick young girls, and a penniless braggart's self-delusion. About the Author Premchand (1880–1936) is regarded as among the finest of writers in Hindi and Urdu. His first collection of stories, Soz-e-Watan (1908), was banned for being incendiary and seditious. Undaunted, he kept writing stories that expressed the pain and suffering of the toiling masses. Some of his best writings portray the influence of Gandhi and the Russian revolution in his choice of subjects: widow remarriage, dowry, untouchability, the rich–poor divide, the problems of landless labour, and the inequalities of the caste system. br>Rakhshanda Jalil is a writer, translator and editor. Her debut collection of short stories Release and Other Stories was published by HarperCollins in August 2011